From "Born into Brothels," a powerful documentary which is about the redemptive power of art, and so much more... a movie both devastating and inspiring.
The etymology of the handle made me fear visiting Coprophil's pages. I'm happy that I conquered that fear. Interesting stumbles, humor and an interesting aesthetic here.
From the page: "Apparently, Tranquada, a waitress, didn't think "Children with a Cart" was worthy of her abode. Peter Sampson and Jason Tsai report:
Olson told her he'd been rooting around their basement when he discovered the painting. He proposed hanging it in their apartment, but she refused, citing the subjects' faces. "I wouldn't put this on my wall," she said."